In other situations, without careful advance user customization, the program makes what can be described as good guesses , especially in the area of enharmonic spelling of newly entered data generated from a MIDI keyboard, while respecting the current key signature. It is "smart" enough to spell an enharmonic pitch when secondary dominants are used in a piece.
For the majority of Western tonal music, Finale chooses the correct spelling for chords of the tonic and dominant keys correctly, but when the music wanders to tonal regions further away from the tonic, Finale tends to make enharmonic "spelling" mistakes by treating chords as if they belonged to the tonic key in some way. When using a nonstandard key, experts have recommended that the user "assign a spelling for each pitch in the chromatic scale" using a dialog box available from the Preferences menu.
The lead programmer for Finale version 1.
No other music notation software offers Finale's level of control, letting you Finale notation software on a Mac. how the pros write sheet music. When deadlines loom and there's no room for mistakes, music professionals choose Finale. Finale a, a free maintenance release for all Finale owners, Full support for Macintosh OS ; Support for multi-processor Improved Mac startup and rock-solid stability when resizing the Mac's main tool palette.
After Finale version 3. Finale , released in early , was the first release to run natively on Macintosh computers running Mac OS X Panther v More comprehensive support was brought "on-line" through maintenance releases going forward into This release shortened the development cycle for Finale , which was released the following August.
While the number of new features in Finale '05 were necessarily limited, this was the first release to have both Windows and Mac versions on the same distribution CD. The most advertised new feature of Finale released in the summer of included the Garritan Personal Orchestra, an integrated sound library with upgradeable selections from the Garritan Personal Orchestra for more lifelike playback than the SmartMusic SoftSynth which is still included in the program.
A limited-functionality music-scanning module, SmartScore Lite, was also included. Along with Page View and Scroll View, the release added StudioView, a display mode which is similar to Scroll View with the addition of a sequencer interface.
This feature offers an environment for creation, evaluation, and experimentation with different musical ideas in a multi-track environment. In StudioView, an additional staff appears above the notation, called TempoTap, allowing for complete control over tempo changes like rubati, accelerandi, and ritardandi.
A key new feature of the Finale release was an integrated "linked" score and part management system. A properly-set-up "full score for extraction" could now contain all the data and formatting necessary to generate a full set of linked ensemble parts, ensconced within a single Finale master document.
Limitations on the scope of format and layout control between parts and conductor score including measure numbers and staff system breaks suggested that this new feature was targeted to media production work, where quick turnaround and accuracy is a crucial factor, rather than publishing, though publishers still may use some aspects of linked parts to improve the part creation process.
Finale was the first version to come out with full Vista bit only support.
Finale was identified as the 20th Anniversary edition. Also notable is the re-designed Page View, which enables the viewing and editing of multiple pages within the same document window: Finale includes Garritan's new Aria Player Engine, and has new samples for this. The older Kontakt 2 Player is still supported, and the samples load under this also. Finale was released in June with improvements to percussion notation and chord symbols.
This version also introduced measure number enhancements, auto-ordered rehearsal marks, support for additional graphic formats, and a new Broadway Copyist font option resembling the look of handwritten scores. Finale was released in June with additional Garritan Sounds, Alpha Notes notation with note names inside , a new lyric entry window and other lyric enhancements, and, most notably, a reworking of staff, system, and page layout handling.
In Finale versions before , systems could be optimized to remove empty staves from them and also permit staves in a system to be positioned independently from other systems. Eliminating empty staves from systems with many staves sometimes called French scoring is a common notation practice used to economize or optimize the use of the page. Users needed to take caution while optimizing, because if measures with notes were moved into an optimized system, or notes were added to staves while viewing the score in Scroll View that had been optimized out, they could be omitted in the printed score.
The recommended solution was to always optimize as the last step in the score editing process, immediately before printing. Finale resolved this condition with a number of solutions in Finale , including the new "Hide Empty Staves" command under the Staff menu, which hides all empty staves in systems.
If notes are added to the system, the staff reappears automatically.
The capability of intentionally hiding staves containing notes is still available using a Staff Style. Also, any staff or staves can be positioned in systems independently based on the selection. These improvements resolved some of the longstanding frustrations novice and advanced users could encounter when working with multi-staff scores.
Other improvements to this Finale version include easier capo chords and a new Aria Player. Finale was released in November with new functions. However, this time easier file exchange with future versions of Finale was promised. Finale 's new functions include a rewritten file format for forward and backward file compatibility, improved Apple OS X support, a new audio engine, additional Garritan sounds, and a new user interface.
An updated version, Finale Finale Version 25 was released on August 16, ReWire support, so that Finale can be used simultaneously and in sync with digital audio software, including Logic, Pro Tools, and Digital Performer. Allows bit sound libraries to be used directly in Finale, without 3rd-party software.
More than worksheets have been added to the release; these are aimed at music educators who are teaching music to K students. The worksheets are printable and help teach students basic elements of music. WWDC keynote in review.
Apple releases As with previous versions, you can play in or enter from the keyboard just about any conceivable chord symbol, and even create your own symbols for unusual chords. They can be played back, too, and stopped with the N. To be honest, Rehearsal Markings were often tiresome to work with in earlier versions, but now they can be left to organise themselves, so that if you decide to delete one or add an extra one, the others renumber or 'reletter' themselves, which is very handy indeed.
Included with Finale is an expanded soundbank from Garritan, and joining the pre-existing orchestra sounds are electric guitars and bass, a brushed drum kit, church organs, synth sounds and more. While it remains the case that anyone wishing to create a detailed and convincing audio track would be best off using a sequencer, these are still welcome additions, especially for those who use Finale's playback as a compositional aid.
Still, the primary purposes of having audio playback in Finale for most users will be note-checking with sounds that resemble the instruments they're allocated to, and secondly, to provide a hint of how the score might sound if played by real instruments - as a demo version for others, perhaps. Other Finale audio features, such as the importing or recording of a single audio track, may be useful for some musicians, but probably irrelevant to the majority who seek to use Finale purely as a scorewriter.
Such audio-related features are undoubtedly attractive, but if we think of Finale as a tool for producing printed scores, then it's the improvements in the ease of input and the quality of output that are crucial. To this end, the aforementioned refinements, such as percussion handling, would seem important in the streamlining of workflow, whereas improvements in the audio field, whilst positive, are less relevant to Finale's main job.
Less flashy but more genuinely useful are the clutch of pre-prepared worksheets, which should prove handy for those working in education. Finale builds on an already impressive application, and the high mark awarded reflects this ongoing excellence as much as the value of the new features. Even in previous versions, you could create excellent printouts, so perhaps this is why MakeMusic has been exploring the software's audio side in recent years, searching for an edge.
So do you need Finale?
For banging out a few string parts or brass overdubs, your existing sequencer, if it has a score editor, may suffice.